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Limited 180gm vinyl LP pressing in gatefold jacket. From Bill Evans' first-ever performance at a concert hall in New York City comes. At Town Hall, Volume One. Featuring the sensitive accompaniment of Chuck Israels on bass and Arnold Wise on drums. Included is a 13-minute solo suite dedicated to the memory of Bill's father who had only recently passed at the time of the recording. Verve Acoustic Sounds Series features transfers from analog tapes.
Live at Ronnie Scott's (1968) is the third official Resonance release of previously unissued recordings of the Bill Evans trio with Eddie Gomez and Jack DeJohnette. The recordings that comprise this release come from the personal archives of drummer Jack DeJohnette, who has had them in storage for over 50 years, and the nearly 2 hours of music have been meticulously remastered from the original tape reels. Live at Ronnie Scott's was captured in December of 1968, six months after their legendary performance at the Montreux Jazz Festival and Resonance's long-lost studio session Some Other Time from the Black Forest. The deluxe limited-edition 2xLPs set will include never-before-published original artwork by David Stone Martin on the album cover, plus an extensive booklet with rare photos, essay by the esteemed British writer Brian Priestly, a conversation between Chick Corea and Jack DeJohnette, interview with Eddie Gomez, and more. Mastered by Bernie Grundman and pressed at 33 1/3 RPM by RTI.
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*SEALED* Jacket still sealed in shrink original wrap; disc sold ungraded or "as is."
NM (Near Mint) Appears unplayed and will bear no marks, sleeve scuffs, or scratches.
EX+ (Excellent) May have one or two visible imperfections (i.e. sleeve scuffs, faint scratches, or other superficial marks) that will not affect playback.
VG+ (Very Good+) A few visible imperfections. These may include sleeve scuffs, light scratches, or other superficial marks.
VG (Very Good) Similar imperfections found on VG+ records but in slightly greater numbers. Records graded VG and above will typically not have any scratches that are deep enough to be felt with a fingernail.
VG- (Very Good-) A number of visible imperfections; the presence of a considerable number of light scratches will force a VG- grade, as will the presence of significant isolated defects such as scratches deep enough to be felt with a fingernail.
G (Good) Record can be played without skipping, but will have significant surface noise, scratches, and visible groove wear. G+ and G- are used to indicate stronger and weaker copies within this range.
*SW/DNAP* Slight warp, does not affect playback
*QUAD* Quadraphonic Sound, similar to today’s surround sound
All records are visually graded by our experienced staff, using a bright lamp and an Audio-Technica ATLP-120 turntable.