LAGNIAPPE RECORDS
311-B Jefferson St. Lafayette, LA 70501
STORE HOURS
OPEN: Wednesday thru Saturday
12 p.m. - 6 p.m.
NOPE: Sunday, Monday & Tuesday
OPEN:
Wed. - Sat.
12 - 6
CLOSED:
Sun. - Tues.
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In 1978, after having sold millions of records and become one of the biggest international artists of the 1970s, Cat Stevens decided to step out of the rock star spotlight and walk away. That year, he was to release his final album under that name. The appropriately-titled Back To Earth was his parting gift: an album that saw the London-born singer saying farewell to his fans, while obliquely explaining his decision to quit in songs such as ‘Last Love Song’ and ‘Just Another Night’. “What’s going on behind the appearance of stardom or the stage itself can be a completely different world,” he says now, “and that’s what it was a lot of the time. I kept my sanity and I kept my eyes open.” Back To Earth was indeed a remarkable return to form, reuniting Stevens with Paul Samwell-Smith, the producer of his landmark, multi-platinum albums Tea For The Tillerman (1970) and Teaser And The Firecat (1971), as well as continuing his creative partnership with long-time guitarist Alun Davies. Musically, the album was a blend of the acoustic balladeering and spiritually-questing style that had made the singer a worldwide star, along with more distant echoes of his years growing up as Steven Demetre Georgiou in London’s West End. Tracks such as ‘New York Times’ and ‘Randy’ recalled the influence upon him of the UK capital’s theatre land, and – since parts of the album had been recorded in New York City – Broadway. “There was this other side of me which was the sort of musical composer,” he remembers. “I loved musicals and I was surrounded by them where I lived. So, I had Bernstein in my blood.” Long overdue for re-evaluation, Back To Earth is a brilliant and fascinating album capturing Yusuf/Cat Stevens at a defining point in his life.
STORE HOURS
OPEN: Wednesday thru Saturday
12 p.m. - 6 p.m.
NOPE: Sunday, Monday & Tuesday
Vinyl, Tapes, & Shit
*SEALED* Jacket still sealed in shrink original wrap; disc sold ungraded or "as is."
NM (Near Mint) Appears unplayed and will bear no marks, sleeve scuffs, or scratches.
EX+ (Excellent) May have one or two visible imperfections (i.e. sleeve scuffs, faint scratches, or other superficial marks) that will not affect playback.
VG+ (Very Good+) A few visible imperfections. These may include sleeve scuffs, light scratches, or other superficial marks.
VG (Very Good) Similar imperfections found on VG+ records but in slightly greater numbers. Records graded VG and above will typically not have any scratches that are deep enough to be felt with a fingernail.
VG- (Very Good-) A number of visible imperfections; the presence of a considerable number of light scratches will force a VG- grade, as will the presence of significant isolated defects such as scratches deep enough to be felt with a fingernail.
G (Good) Record can be played without skipping, but will have significant surface noise, scratches, and visible groove wear. G+ and G- are used to indicate stronger and weaker copies within this range.
*SW/DNAP* Slight warp, does not affect playback
*QUAD* Quadraphonic Sound, similar to today’s surround sound
All records are visually graded by our experienced staff, using a bright lamp and an Audio-Technica ATLP-120 turntable.