LAGNIAPPE RECORDS
311-B Jefferson St. Lafayette, LA 70501
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In 1971, Crosby, Stills, Nash & Young released an iconic live album, one which apparently could just as easily have turned into an onstage melee, given the state of relations between the four famous gentlemen at that point in their careers.
Recorded during CSN&Y’s summer 1970 tour, the tracks on 4 Way Street are taken from three different venues: the Fillmore East in New York between June 2 and June 7, the Forum in Los Angeles between June 26 and June 28, and the Chicago Auditorium – which, you will be surprised to learn, is in Chicago – on July 5. As Cameron Crowe once wrote in Rolling Stone, “CSNY shattered into four directions several months after recording the single ‘Ohio,’” which means that they didn’t even manage to survive until 4 Way Street was actually released.
In fact, the performances from the Chicago show documented on the album were literally the last ones the band would do before calling it quits: Nash, Crosby and Young called off the tour and took the first flight out. They did not, however, tell Stills, who reportedly only found out when he came back for what was to have been the group’s next performance. Whoops.
4 Way Street features a variety of material from the foursome, some from CSNY, some from their Young-less incarnation, and a few solo compositions as well, including Crosby’s “Triad,” which had only been released by Jefferson Airplane up to that point, Stills’ “Love the One You’re With,” Nash’s “King Midas in Reverse,” the Hollies song he co-wrote with Allan Clarke and Tony Hicks, and Young’s “Southern Man.” The guys might not have been getting along 100% of the time, but they were on fire when they were onstage, and you can hear it throughout this audio document.
STORE HOURS
OPEN: Wednesday thru Saturday
12 p.m. - 6 p.m.
NOPE: Sunday, Monday & Tuesday
Vinyl, Tapes, & Shit
*SEALED* Jacket still sealed in shrink original wrap; disc sold ungraded or "as is."
NM (Near Mint) Appears unplayed and will bear no marks, sleeve scuffs, or scratches.
EX+ (Excellent) May have one or two visible imperfections (i.e. sleeve scuffs, faint scratches, or other superficial marks) that will not affect playback.
VG+ (Very Good+) A few visible imperfections. These may include sleeve scuffs, light scratches, or other superficial marks.
VG (Very Good) Similar imperfections found on VG+ records but in slightly greater numbers. Records graded VG and above will typically not have any scratches that are deep enough to be felt with a fingernail.
VG- (Very Good-) A number of visible imperfections; the presence of a considerable number of light scratches will force a VG- grade, as will the presence of significant isolated defects such as scratches deep enough to be felt with a fingernail.
G (Good) Record can be played without skipping, but will have significant surface noise, scratches, and visible groove wear. G+ and G- are used to indicate stronger and weaker copies within this range.
*SW/DNAP* Slight warp, does not affect playback
*QUAD* Quadraphonic Sound, similar to today’s surround sound
All records are visually graded by our experienced staff, using a bright lamp and an Audio-Technica ATLP-120 turntable.