Wed. - Sat.
12 - 6
Sun. - Tues.
Order online 24-7
for shipping or
Living legend Goldman Thibodeaux, a mainstay at the New Orleans Jazz and Heritage Festival for over 20 years, is one of the last musicians performing in the traditional French Creole country style known as “La La.” Now 87-years-old, Thibodeaux’s mixed Cajun-Creole roots reach back to early 20th century Louisiana, when as a young boy he saw the great Amédé Ardoin (1898–1942) perform at a local house party. One of the most revered Creole musicians in Louisiana and an early recording artist, Ardoin’s Afro-Creole accordion style paved the way for zydeco music back in 1920s and inspired Thibodeaux to take up the accordion. By 1966, he was playing with the Lawtell Playboys, a group originally founded in 1946 by Bébé and Eraste Carriere (aka Les Frères Carrière) and kept alive by several generations of family members. Now the leader of the group, Goldman Thibodeaux and the Lawtell Playboys present their latest album, La Danse à St. Ann’s.
Recorded live at the Thibodeaux Family Reunion in November 2019, the album features the Lawtell Playboys performing for hundreds of family members in a church hall in Mallet, Louisiana. This setting takes listeners deep into the heart of the bayou, allowing them to experience firsthand a rural house party. Featured performers include Goldman Thibodeaux (accordion, vocals), Brock Thibodeaux (frottoir), Louis Michot (co-founder of Lost Bayou Ramblers on fiddle, vocals), Courtney Jeffries (acoustic guitar), Justin Leger (electric bass), Barry Cormier (drums, vocals). The Lawtell Playboys run through a variety of favorites, including traditional two-steps and waltzes plus originals such as “Blues de Golman” sung in English and Creole and “Watch That Dog.” On the final track, we briefly join the reunion as a woman attempts to organize family members for a group photo by drone in a moment that ties the past to the present.
A tireless advocate for preserving the Creole culture of Louisiana, Goldman Thibodeaux has certainly earned his living legend status. On La Danse à St. Ann’s, he draws from a century of Creole and Cajun musical traditions, combining songs passed down through generations with more contemporary originals, but never straying far from his heritage.
Reviewed by Brenda Nelson-Strauss
311-B Jefferson St. Lafayette, LA 70501
OPEN: Wednesday thru Saturday
12 p.m. - 4 p.m.
NOPE: Sunday, Monday & Tuesday
*SEALED* Jacket still sealed in shrink original wrap; disc sold ungraded or "as is."
NM (Near Mint) Appears unplayed and will bear no marks, sleeve scuffs, or scratches.
EX+ (Excellent) May have one or two visible imperfections (i.e. sleeve scuffs, faint scratches, or other superficial marks) that will not affect playback.
VG+ (Very Good+) A few visible imperfections. These may include sleeve scuffs, light scratches, or other superficial marks.
VG (Very Good) Similar imperfections found on VG+ records but in slightly greater numbers. Records graded VG and above will typically not have any scratches that are deep enough to be felt with a fingernail.
VG- (Very Good-) A number of visible imperfections; the presence of a considerable number of light scratches will force a VG- grade, as will the presence of significant isolated defects such as scratches deep enough to be felt with a fingernail.
G (Good) Record can be played without skipping, but will have significant surface noise, scratches, and visible groove wear. G+ and G- are used to indicate stronger and weaker copies within this range.
*SW/DNAP* Slight warp, does not affect playback
*QUAD* Quadraphonic Sound, similar to today’s surround sound
All records are visually graded by our experienced staff, using a bright lamp and an Audio-Technica ATLP-120 turntable.