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"See You Next Time" marks Joshua Ray Walker's third full-length album in three years as the final installment in a trilogy that originated in 2019. "The whole idea with the trilogy was to use the honky-tonk as a setting where all these different characters could interact with each other," says Walker, who drew immense inspiration from the local dive bars he first started sneaking into and gigging at as a teenager growing up in East Dallas. "In my mind, this album's taking place on the night before the bar closes forever-the songs are just me taking snapshots of that world, and all the moments that happen in it." Like it's predecessors, See You Next Time came to life at Audio Dallas Recording Studio with producer John Pedigo and a first-rate lineup of musicians. The album's immaculately crafted but timelessly vital sound provides a prime backdrop for Walker's storytelling, an element that endlessly blurs the lines between fable-like fiction and personal revelation. "I learned a long time ago that writing from a character's perspective let's me examine things about myself without ever feeling too self-conscious about it," he points out. Closely informed by the tremendous loss he suffered in recent years, See You Next Time emerges as the most powerful work to date from an extraordinarily gifted songwriter, imbued with equal parts weary pragmatism and the kind of unabashedly romantic spirit that defies all cynicism. "There's not a lot of pretension at a honky-tonk, and there's much more interaction than in other bars-you see a lot less people on their phones," says Walker. "We're there to talk to other humans, put a song on the jukebox and dance with a stranger, get to know your bartender and tell them all your problems. I really wanted to capture that feeling on this record-I want everyone to feel like they know all these characters, and that they're somehow better understood because these songs exist."
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*SEALED* Jacket still sealed in shrink original wrap; disc sold ungraded or "as is."
NM (Near Mint) Appears unplayed and will bear no marks, sleeve scuffs, or scratches.
EX+ (Excellent) May have one or two visible imperfections (i.e. sleeve scuffs, faint scratches, or other superficial marks) that will not affect playback.
VG+ (Very Good+) A few visible imperfections. These may include sleeve scuffs, light scratches, or other superficial marks.
VG (Very Good) Similar imperfections found on VG+ records but in slightly greater numbers. Records graded VG and above will typically not have any scratches that are deep enough to be felt with a fingernail.
VG- (Very Good-) A number of visible imperfections; the presence of a considerable number of light scratches will force a VG- grade, as will the presence of significant isolated defects such as scratches deep enough to be felt with a fingernail.
G (Good) Record can be played without skipping, but will have significant surface noise, scratches, and visible groove wear. G+ and G- are used to indicate stronger and weaker copies within this range.
*SW/DNAP* Slight warp, does not affect playback
*QUAD* Quadraphonic Sound, similar to today’s surround sound
All records are visually graded by our experienced staff, using a bright lamp and an Audio-Technica ATLP-120 turntable.