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Over the past year I have been doing a review of all the major country blues artists that I can get material on. High on that list would be the performer on this CD, the legendary Mississippi Fred McDowell. Before discussing this CD, however, let me put this blues man in context. I first heard Brother McDowell and his magnificent slide guitar riffs as a backup to some of "Big Mama" Thornton's early blues numbers like "Little School Girl" and "The Red Rooster". I have also noted elsewhere that McDowell performed a very important service to the continuation of the country blues tradition when he provided mentorship to the great modern folk/country/blues singer songwriter Bonnie Raitt.
Ms. Raitt has profusely acknowledged his influence and just a peep at her own work demonstates the truth of that influence. Furthermore there is another place where McDowell has demonstrated his vast influence. That is on The Rolling Stones. Their main blues influence might have been another Delta product, Muddy Waters, but the Stones did a cover of McDowell's "You've Got To Move" (and gave him the royalties for his cancer treatment) on their Sticky Fingers album that has withstood the test of time. All these anecdotes are presented for one purpose- to show, if anyone needed showing, that Mc Dowell rightly takes his place with the likes of Bukka White, Skip James, Son House and Mississippi John Hurt as the legends of country blues.
For those not in the know the theme of the country blues is about rural life, about picking cotton in the Delta (or hard scrabble farming elsewhere) and, most importantly, about those Saturday night bouts with booze, women and worked up passions that could go any which way, including jail and the graveyard. McDowell follows that tradition although on a number of cuts here, those in which he is accompanied by his wife's singing along, he will also pay homage to the deeply religious expression of the travails of black existence at the turn of the 20th century Jim Crow South.
The most famous exemplars of that tradition are of course Blind Willie Johnson and the Reverend Gary Davis but others, including McDowell have taken a turn at that end of the blues spectrum in order to sanctify "the devil's music". Needless to say you must listen to "You've Got To Move", "Levee Camp Blues", "Good Morning Little Schoolgirl" and "Kokomo Blues" here.
STORE HOURS
OPEN: Wednesday thru Saturday
12 p.m. - 6 p.m.
NOPE: Sunday, Monday & Tuesday
Vinyl, Tapes, & Shit
*SEALED* Jacket still sealed in shrink original wrap; disc sold ungraded or "as is."
NM (Near Mint) Appears unplayed and will bear no marks, sleeve scuffs, or scratches.
EX+ (Excellent) May have one or two visible imperfections (i.e. sleeve scuffs, faint scratches, or other superficial marks) that will not affect playback.
VG+ (Very Good+) A few visible imperfections. These may include sleeve scuffs, light scratches, or other superficial marks.
VG (Very Good) Similar imperfections found on VG+ records but in slightly greater numbers. Records graded VG and above will typically not have any scratches that are deep enough to be felt with a fingernail.
VG- (Very Good-) A number of visible imperfections; the presence of a considerable number of light scratches will force a VG- grade, as will the presence of significant isolated defects such as scratches deep enough to be felt with a fingernail.
G (Good) Record can be played without skipping, but will have significant surface noise, scratches, and visible groove wear. G+ and G- are used to indicate stronger and weaker copies within this range.
*SW/DNAP* Slight warp, does not affect playback
*QUAD* Quadraphonic Sound, similar to today’s surround sound
All records are visually graded by our experienced staff, using a bright lamp and an Audio-Technica ATLP-120 turntable.