LAGNIAPPE RECORDS
311-B Jefferson St. Lafayette, LA 70501
STORE HOURS
OPEN: Wednesday thru Saturday
12 p.m. - 6 p.m.
NOPE: Sunday, Monday & Tuesday
OPEN:
Wed. - Sat.
12 - 6
CLOSED:
Sun. - Tues.
Order online 24-7
for shipping or
local pick-up!
Official vinyl repress. Following the tour for 'Rid of Me', Polly Harvey parted ways with Robert Ellis and Stephen Vaughn, leaving her free to expand her music from the bluesy punk that dominated PJ Harvey's first two albums. It also left her free to experiment with her style of songwriting. Where 'Dry' and 'Rid of Me' seemed brutally honest, 'To Bring You My Love' feels theatrical, with each song representing a grand gesture. Relying heavily on religious metaphors and imagery borrowed from the blues, Harvey has written a set of songs that are lyrically reminiscent of Nick Cave's and Tom Waits' literary excursions into the gothic American heartland. Since she was a product of post-punk, she's nowhere near as literally bluesy as Cave or Waits, preferring to embellish her songs with shards of avant guitar, eerie keyboards, and a dense, detailed production. It's a far cry from the primitive guitars of her first two albums, but Harvey pulls it off with style, since her songwriting is tighter and more melodic than before; the menacing 'Down by the Water' has genuine hooks, as does the psycho stomp of 'Meet Ze Monsta,' the wailing 'Long Snake Moan,' and the stately 'C'mon Billy.' The clear production by Harvey, Flood, and John Parish makes these growths evident, which in turn makes 'To Bring You My Love' her most accessible album, even if the album lacks the indelible force of its predecessors.
STORE HOURS
OPEN: Wednesday thru Saturday
12 p.m. - 6 p.m.
NOPE: Sunday, Monday & Tuesday
Vinyl, Tapes, & Shit
*SEALED* Jacket still sealed in shrink original wrap; disc sold ungraded or "as is."
NM (Near Mint) Appears unplayed and will bear no marks, sleeve scuffs, or scratches.
EX+ (Excellent) May have one or two visible imperfections (i.e. sleeve scuffs, faint scratches, or other superficial marks) that will not affect playback.
VG+ (Very Good+) A few visible imperfections. These may include sleeve scuffs, light scratches, or other superficial marks.
VG (Very Good) Similar imperfections found on VG+ records but in slightly greater numbers. Records graded VG and above will typically not have any scratches that are deep enough to be felt with a fingernail.
VG- (Very Good-) A number of visible imperfections; the presence of a considerable number of light scratches will force a VG- grade, as will the presence of significant isolated defects such as scratches deep enough to be felt with a fingernail.
G (Good) Record can be played without skipping, but will have significant surface noise, scratches, and visible groove wear. G+ and G- are used to indicate stronger and weaker copies within this range.
*SW/DNAP* Slight warp, does not affect playback
*QUAD* Quadraphonic Sound, similar to today’s surround sound
All records are visually graded by our experienced staff, using a bright lamp and an Audio-Technica ATLP-120 turntable.