LAGNIAPPE RECORDS
311-B Jefferson St. Lafayette, LA 70501
STORE HOURS
OPEN: Wednesday thru Saturday
12 p.m. - 6 p.m.
NOPE: Sunday, Monday & Tuesday
OPEN:
Wed. - Sat.
12 - 6
CLOSED:
Sun. - Tues.
Order online 24-7
for shipping or
local pick-up!
RL Burnside’s first break came in the early ‘90s when the documentary film based on author Robert Palmer’s book Deep Blues featured R.L. as one of its highlights. Subsequently Palmer produced R.L.’s Too Bad Jim for the fledgling Fat Possum label. Along with Junior Kimbrough’s All Night Long, Too Bad Jim was one of the most important and influential blues albums of the ‘90s.
Too Bad Jim brought R.L. to the attention of post-punk musician Jon Spencer. R.L. toured extensively with the Jon Spencer Blues Explosion and this led to the collaboration between the two, the result was A Ass Pocket of Whiskey, a teenage party record. Ass Pocket of Whiskey made R.L an unlikely champion in the indie rock world.
In 1997 R.L. released Mr. Wizard, Fat Possum’s debut record on their new distribution label Epitaph. The album featured R.L’s hardcore touring mates, grandson Cedric Burnside and adopted son Kenny Brown.
In 1998 R.L. released Come On In, which pitted his raw blues against modern electronica, courtesy of producer Tom Rothrock (Beck, Elliot Smith). The album was a critical and commercial success, and one of its tracks, “It’s Bad You Know,” became a respectable radio hit and was featured in The Sopranos and on its soundtrack.
In the year 2001, R.L. Burnside was still breaking down boundaries, and bringing the blues to where it had never gone before. Listen up.
STORE HOURS
OPEN: Wednesday thru Saturday
12 p.m. - 6 p.m.
NOPE: Sunday, Monday & Tuesday
Vinyl, Tapes, & Shit
*SEALED* Jacket still sealed in shrink original wrap; disc sold ungraded or "as is."
NM (Near Mint) Appears unplayed and will bear no marks, sleeve scuffs, or scratches.
EX+ (Excellent) May have one or two visible imperfections (i.e. sleeve scuffs, faint scratches, or other superficial marks) that will not affect playback.
VG+ (Very Good+) A few visible imperfections. These may include sleeve scuffs, light scratches, or other superficial marks.
VG (Very Good) Similar imperfections found on VG+ records but in slightly greater numbers. Records graded VG and above will typically not have any scratches that are deep enough to be felt with a fingernail.
VG- (Very Good-) A number of visible imperfections; the presence of a considerable number of light scratches will force a VG- grade, as will the presence of significant isolated defects such as scratches deep enough to be felt with a fingernail.
G (Good) Record can be played without skipping, but will have significant surface noise, scratches, and visible groove wear. G+ and G- are used to indicate stronger and weaker copies within this range.
*SW/DNAP* Slight warp, does not affect playback
*QUAD* Quadraphonic Sound, similar to today’s surround sound
All records are visually graded by our experienced staff, using a bright lamp and an Audio-Technica ATLP-120 turntable.