LAGNIAPPE RECORDS
311-B Jefferson St. Lafayette, LA 70501
STORE HOURS
OPEN: Wednesday thru Saturday
12 p.m. - 6 p.m.
NOPE: Sunday, Monday & Tuesday
OPEN:
Wed. - Sat.
12 - 6
CLOSED:
Sun. - Tues.
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DECEMBER'S CHILDREN marked a crucial point in the Stones' development. The band was beginning to move away from its blues/R&B roots toward something more uniquely its own. Certainly those roots were far from absent in the songs composed for this album, and the Stones still cover their share of the masters here (Chuck Berry, Arthur Alexander, Hank Snow), but something new was afoot.
The aching ballad "As Tears Go By," complete with baroque orchestration, heralded a new direction in the Stones' songwriting. Similarly, the folk-rockish strains of "The Singer Not The Song" hint at previously uncharted directions. Perhaps the most crucial track here is "Get Off My Cloud, which, while it incorporates the band's rootsy influences, is possessed of a decidedly modern power that the Stones were only beginning to learn to harness. This was the beginning of a style more specific than pop, blues, or rock & roll. DECEMBER'S CHILDREN may be seen as the beginning of what can only be defined as Rolling Stones music.
"Dig how even a tossed-together cash-in by the Stones' U.S. label--the group's third American album of 1965--ends up smoking like all but their very best. They invent thrash with the opener, "She Said Yeah" (a Specialty Records obscurity penned, under a pseudonym, by Sonny Bono!) before laying down a leering "Talkin' 'Bout You," a frenetic "I'm Movin' On" and their most consistent, varied list of originals yet. Dig, too, how even "As Tears Go By" sounds like a sneer in the midst of "Get Off of My Cloud," "Gotta Get Away," "I'm Free" and the dourly off-key "Blue Turns to Grey." --Rickey Wright
STORE HOURS
OPEN: Wednesday thru Saturday
12 p.m. - 6 p.m.
NOPE: Sunday, Monday & Tuesday
Vinyl, Tapes, & Shit
*SEALED* Jacket still sealed in shrink original wrap; disc sold ungraded or "as is."
NM (Near Mint) Appears unplayed and will bear no marks, sleeve scuffs, or scratches.
EX+ (Excellent) May have one or two visible imperfections (i.e. sleeve scuffs, faint scratches, or other superficial marks) that will not affect playback.
VG+ (Very Good+) A few visible imperfections. These may include sleeve scuffs, light scratches, or other superficial marks.
VG (Very Good) Similar imperfections found on VG+ records but in slightly greater numbers. Records graded VG and above will typically not have any scratches that are deep enough to be felt with a fingernail.
VG- (Very Good-) A number of visible imperfections; the presence of a considerable number of light scratches will force a VG- grade, as will the presence of significant isolated defects such as scratches deep enough to be felt with a fingernail.
G (Good) Record can be played without skipping, but will have significant surface noise, scratches, and visible groove wear. G+ and G- are used to indicate stronger and weaker copies within this range.
*SW/DNAP* Slight warp, does not affect playback
*QUAD* Quadraphonic Sound, similar to today’s surround sound
All records are visually graded by our experienced staff, using a bright lamp and an Audio-Technica ATLP-120 turntable.