Tues-Sat: 12pm 'til 6pm
Order through website
for local pick-up
The sound and style of The Self-Help Tapes’ new full-length has been developing slowly on stages around singer-songwriter Kevin Comarda’s home town for over a decade. In that time, audiences have watched transfixed as Comarda’s finespun guitar and synth loops developed into the robust arrangements found on Erit Lux. Drummer Robert Landry (Static Masks) and guitarist Craig Oubre (HiGH) round out the weighty instrumentation, providing the perfect mise en scene for Comarda’s lithe vocals. Recorded by Brian Pretus (Bad Operation) and mixed by Nick Pope (Island Days), the album is rich in textural variety, easing between moments of pastoral synth subtlety and bombastic guitar squall. A sense of isolation permeates Erit Lux, as though each song exists in its own pocket universe, populated by characters with disparate perspectives but common aspirations: for connection, understanding, and even a little peace. Given the pervasive themes of remoteness and social claustrophobia, one might be forgiven for mistaking this record for a pandemic project. But, while these 10 tracks are undoubtedly germane to life in our uncertain present, they also speak to larger social and political dilemmas of the 21st century. And yet, as the album title assures us, there will be light, a promise The Self-Help Tapes has always implied in its most delicate refrains. “I used to be on fire/ ‘til somebody put me out,” Comarda concludes in the final moments of Erit Lux, and the nostalgia is palpable as the song gives way to a sample of a French Quarter street scene, complete with the Steamboat Natchez’s ever-present calliope song drifting across some forgotten afternoon.
311-B Jefferson St. Lafayette, LA 70501
OPEN: Tuesday thru Saturday
12 p.m. - 6 p.m.
NOPE: Sunday & Monday
*SEALED* Jacket still sealed in shrink original wrap; disc sold ungraded or "as is."
NM (Near Mint) Appears unplayed and will bear no marks, sleeve scuffs, or scratches.
EX+ (Excellent) May have one or two visible imperfections (i.e. sleeve scuffs, faint scratches, or other superficial marks) that will not affect playback.
VG+ (Very Good+) A few visible imperfections. These may include sleeve scuffs, light scratches, or other superficial marks.
VG (Very Good) Similar imperfections found on VG+ records but in slightly greater numbers. Records graded VG and above will typically not have any scratches that are deep enough to be felt with a fingernail.
VG- (Very Good-) A number of visible imperfections; the presence of a considerable number of light scratches will force a VG- grade, as will the presence of significant isolated defects such as scratches deep enough to be felt with a fingernail.
G (Good) Record can be played without skipping, but will have significant surface noise, scratches, and visible groove wear. G+ and G- are used to indicate stronger and weaker copies within this range.
*SW/DNAP* Slight warp, does not affect playback
*QUAD* Quadraphonic Sound, similar to today’s surround sound
All records are visually graded by our experienced staff, using a bright lamp and an Audio-Technica ATLP-120 turntable.