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There exists a terrifying film called The Innocents, starring Deborah Kerr, released in 1961. It’s based on a play of the same name, which in turn was an adaptation of Henry James’ novella The Turn Of The Screw. All versions involve a governess hired to care for two young children, who may or may not be possessed by the ghosts of the couple who looked after them in the past, a couple whose deviant nature destroyed the lives around them (including their own). Those who’ve had occasion to watch the film version haven’t easily forgotten the opening credits: as you sit in complete darkness (or some reasonable facsimile thereof … c’mon, work with us), and well before the studio logo is displayed, you hear a little girl’s voice, unaccompanied, singing these words: \n \nWe lay, my love and I, beneath the weeping willow. \nBut now alone I lie and weep beside the tree. \nSinging "O Willow Waly" by the tree that weeps with me. Singing "O Willow Waly" till my lover return to me. \nWe lay, my love and I, beneath the weeping willow. \nA broken heart have I. \nO willow, I die… \nO willow, I die. \n \nThe film’s credits roll on, screen right, as the image of Ms. Kerr, praying and sobbing, is superimposed on the left. That sequence puts you on the back foot and keeps you there, even as you begin to doubt the events of the story that follows, lingering on like mist, heavy and earthbound. Henry James would’ve wanted it that way. Tired of the ways in which authors had depicted the supernatural, the author extrapolated their evil nature out of elements you’d never expect, or in his own words, “the strange and sinister embroidered on … the normal and easy.” And his notions of how to represent these tropes have since fed into our familiar understanding of how suspense works as a narrative device in the centuries that followed. James made us all more suspicious; where we find beauty and sadness, we often assume that it has been influenced by some spectre whose bent will keeps its presence
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*SEALED* Jacket still sealed in shrink original wrap; disc sold ungraded or "as is."
NM (Near Mint) Appears unplayed and will bear no marks, sleeve scuffs, or scratches.
EX+ (Excellent) May have one or two visible imperfections (i.e. sleeve scuffs, faint scratches, or other superficial marks) that will not affect playback.
VG+ (Very Good+) A few visible imperfections. These may include sleeve scuffs, light scratches, or other superficial marks.
VG (Very Good) Similar imperfections found on VG+ records but in slightly greater numbers. Records graded VG and above will typically not have any scratches that are deep enough to be felt with a fingernail.
VG- (Very Good-) A number of visible imperfections; the presence of a considerable number of light scratches will force a VG- grade, as will the presence of significant isolated defects such as scratches deep enough to be felt with a fingernail.
G (Good) Record can be played without skipping, but will have significant surface noise, scratches, and visible groove wear. G+ and G- are used to indicate stronger and weaker copies within this range.
*SW/DNAP* Slight warp, does not affect playback
*QUAD* Quadraphonic Sound, similar to today’s surround sound
All records are visually graded by our experienced staff, using a bright lamp and an Audio-Technica ATLP-120 turntable.